Khephra directed me to a recent episode of Greg’s Occult of Personality podcast in which he was interviewed.

It’s subject was the Occult Digital Mobilization, or Digimob for short, a community of occultists which gathers ebooks and other files for distribution in quarterly digests via BitTorrent.

While there is a selection process, its ins and outs weren’t discussed in detail, nor were copyright issues or the moral implications in a wider sense, and they displayed a superficial understanding of how the artist/writer/creator is affected and what the impact is for the larger culture.

Though danced around, arguments for piracy tend to run the same way:

The argument is that a pirated good rarely substitutes for the authentic original. Instead it allows the product to reach populations that can’t afford the original or otherwise wouldn’t have bought it.

The above excerpt is from a book I recently picked up, Chris Anderson’s Free: How Today’s Smartest Businesses Profit by Giving Something for Nothing, a marketing book on how companies are using the concept of free to build their customer base, and how it works. Continue reading »

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Uncertainty has come to play a huge role in my life as of late. The whole process entered my awareness during the Plutonica book-club reading of Quantum Psychology. Together we explored many of the exercises that Robert Anton Wilson collected to help us think, “Maybe…” My meditations and personal work have revolved around the issue of uncertainty, as well as our personal and collective strategies for dealing with it, ever since. Continue reading »

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Ashley Naftule is a used bookseller by day and a playwright by night. He doesn’t currently maintain a proper blog, but he can be reached via Facebook and Twitter.

To be honest, I’ve dodged a serious bullet with Datura. When its editor, Ruby Sara, put out a call for submissions on Scarlet Imprints last year, I almost submitted a handful of poems for inclusion. The thought of an anthology of occult-themed poetic work and essays on the mystical aspects of the creative process struck quite a nerve with me, and I was eager to contribute. Luckily a combination of a busy life at the time and a creative dry spell prevented me from sending Sara anything by the deadline, and after reading through Datura, I’m deeply thankful that the few pieces I was able to conjure up never got sent her way. For even if they were accepted and published in the pages of Datura, the quality of the content is so high my work would have looked like utter shit next to everything else between its covers.

Datura contains the work of 26 poets, that work being a mix of 6 essays and 47 poems. When I picked up Datura, I was really eager to read the essays. Scarlet Imprint has published three other anthologies in the past – Howlings, Devoted, and Diabolical -  and their occult essays were absolutely stellar. While I do love poetry, and have a deep fondness for the Pagan and fortean realms, I’ve read enough awful odes to Odin and tree-spirits (and composed quite a few myself, to be fair) that the thought of a book devoted to such poetry might be a risky gamble. I figured that six good essays could make up for some lousy astral-poetics. Thankfully while the essay-work is every bit as good as I hoped it would be, the poetry in Datura manages to keep its nimble-feet from stepping into the bear-trap of twee Pagan cliches. Continue reading »

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Jack Faust brought to my attention the plethora of posts on magickal models lately surfacing. It seems to have cheesed him a bit.

After writing an earlier post for Rending the Veil, I was asked to explain about how a someone could possibly be both a magickian and an atheist and so wrote this piece in the fall of 2009, intending it for the Yule issue. I understand it got lost for a bit somehow over at RtV HQ, but it’s up now.

Frater U.:D.:’s “Models of Magic” essay has been floating around online for a long time, and was further expanded in his 2005 occult primer High Magic: Theory & Practice. It seemed a straightforward place to start, Continue reading »

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Beth Winegarner is an author, journalist and sociologist who is working on a guidebook for parents about teen culture. For more on her work, visit bethwinegarner.com.

For the past couple of years, I’ve had a Google Alert set for the word “Satanic.”

I created it because I wanted to study how media use the word. Every day, news stories and links containing the word “Satanic” wend their way to my inbox. They range from articles about Salman Rushdie (all of which mention The Satanic Verses) to pieces about Toyota recalls, calling sticky gas pedals “Satanic.”

However, many are articles about crime. Big, gory, violent crime, and petty graffiti depicting pentagrams and other symbols. Continue reading »

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